Okay, so I wanted to share how I figured out this whole lighting thing for taking pictures inside my house. It wasn’t fancy, just me messing around trying to get decent shots.

It all started when I tried selling some old stuff online. You know, just clutter I wanted gone. I grabbed my phone, snapped some pictures, and threw them up on some site. Crickets. Nothing sold. My photos looked like garbage, honestly. Dark, weird shadows, colours all off. My neighbour saw them and basically told me, “Dude, your lighting sucks.” That kinda pushed me to actually try and fix it.
First Attempts – Using What I Had
First, I tried using window light. Everyone says ‘use natural light’. Yeah, great, if the sun feels like cooperating and you’re taking pictures at 2 PM on a Tuesday. Most times? It was either too bright, washing everything out, or too dark later in the day. Totally unreliable for me.
Next step: lamps. I dragged my desk lamp over, pointed it at the thing I was photographing. Harsh shadows everywhere. Looked like a crime scene photo. Then I tried a taller floor lamp. Better, but still kinda meh. The light was often weirdly yellow or just not bright enough. I was just moving lamps around, plugging things in and out, getting frustrated.
Getting Some Actual Gear
I realized the random house lamps weren’t cutting it. I went online, thinking I needed some pro setup. Saw all these kits with umbrellas, weird dish things, loads of stands. Looked complicated and expensive. I wasn’t trying to open a studio! Eventually, I found a basic, cheap softbox kit. You know, the square-ish fabric hoods that go over a light bulb on a stand. It came with two lights, two stands, and bulbs. Seemed simple enough. I ordered it.
The box arrived, felt kinda light. I opened it up. A bunch of poles, fabric squares, sockets, wires. It felt like cheap camping gear. The instructions were basically useless diagrams. Putting the first softbox together was a bit of a puzzle, stretching the fabric over the rods. Then screwing the bulb in, sticking it on the flimsy stand. Took me a while.

Figuring Out How to Use It
Okay, first light assembled and up. I plugged it in. Whoa, that was bright. Much brighter than my desk lamp. I pointed it at that old vase I was still trying to sell. Took a test shot. Better, but kinda flat, like a spotlight was hitting it.
So I started moving the light around. Put it up high, pointing down. Made weird shadows under the vase. Moved it to the side. Better definition, but the other side was super dark. This was harder than just having a bright light.
Then I set up the second light. My first thought was, one on each side, right? Symmetrical. Took a picture. Looked awful. Like the vase was being interrogated under two harsh lights. No shadows, totally flat, boring.
I spent maybe an hour just moving these two lights around.
- One high, one low.
- Both from the same side, one further back.
- Tried pointing one at the ceiling to bounce the light.
I was getting annoyed. The stands weren’t super stable, wires everywhere. It wasn’t the magic fix I expected.

The ‘Aha!’ Moment (Sort Of)
I took a break. Then I thought, maybe simpler is better. I turned off one light completely. Just used one softbox, placed it off to the side, maybe a 45-degree angle from the vase. That looked okay, but the shadows on the opposite side were still really dark.
Then I remembered seeing something about reflectors. I didn’t have one. I grabbed a big piece of white foam board I had lying around (like the stuff kids use for school projects). I propped it up on the dark side of the vase, opposite the light. It bounced some light back into the shadows. Boom. That made a huge difference. Suddenly the vase looked solid, three-dimensional, not just a flat cutout. The shadows were softer.
So that became my basic setup: one softbox light to one side, and a piece of white board on the other side to fill in the shadows. I just move the light and the board around a bit depending on what I’m shooting. It’s not fancy, but it works for me, here in my living room.
My photos for selling stuff online look way better now. Things actually sell. It wasn’t about buying expensive gear, really. It was about figuring out how to use one light properly and how direction and softening shadows (that’s the softbox and the reflector) change everything. Still learning, still messing around, but at least I feel like I know what I’m doing now, kinda.